wrapped up: mccall’s 7627

I made my own patterns for a long time. I drafted and tweaked and tested and revised patterns for everything you can imagine (pants, coats, dresses, tops, skirts – all of it) for longer than I’ve not been doing it. Patternmaking is a tedious, long process that I actually really enjoy. I still draft my own patterns from time to time when I need to – and knowing how to alter commercial patterns is a skill I’m not only grateful to have but one that has definitely come in handy – but I’m less inclined to draft from scratch these days. The convenience of well designed patterns neatly folded in an envelop available for a reasonable price is too much to resist.  The work is already done for us! So now that I’m all about those patterns, I watch with eager anticipation for each new season’s collection. Vogue is my favorite brand and never disappoints me, and I probably use those patterns more than any other, but McCall’s and Butterick aren’t too far behind. The last time I used a Simplicity pattern was sometime in 2016, but one of their recent releases caught my eye so you’ll see that skirt soon.

 This fall, McCall’s released a pattern for a wrap dress that had my name all over it, and I scooped it up as soon as I could. I thought it was so pretty, and it had lots of potential to become something I could make into a few versions. And the blouse? Stop it, it’s too darling!

My fabric is a floral cotton sateen I got a few months back from Fashion Fabrics Club. It’s sold out now, but I like to search “sateen print” every couple of weeks to make sure I keep an eye on their inventory of that fabric. I cannot tell you how many sateens I’ve ordered from them over the years, and the prices are unbeatable. (I’m not an ambassador for them or compensated in any way to say that. Just passing along helpful information!)

Right off the bat, I want to say that this is a lot of dress. The skirt is a full circle and the sleeves are quite wide, so thank goodness for the cinched in waist to give it all some definition. I initially wanted to make view C without sleeves, but I let my “it should be a fall garment with sleeves” mentality get the best of me and used the sleeves from the blouse in view A. Of the three sleeves, that one is my favorite because it’s subtle and not too in-your-face.

This pattern fits well and is incredibly easy to sew, and I will happily make it again in the spring. Gingham, maybe? Denim and poplin are also good options, and I also really like the idea of this in yellow cotton. I made it in one day, just hemming it the following day after letting it hang overnight to let the bias settle. (See more about leveling a hem here.) The only change I made to the pattern was to narrow the sash belt. I was short on fabric, and I also didn’t want to see the wrong side of the sateen. (Per the instructions, the ties are gathered and attached to the bodice as a single layer, no lining, and the edged are hemmed – so the wrong side of the fabric shows.) I thought this would be distracting, so I’d planned to cut two of the ties, but had to make an adjustment when I nearly ran out of fabric. (We’ve all been there, right?!) So I made the ties narrower and cut out two in my self fabric and two in black cotton.

You know how I’m always going on about “breaking up” a print in an interesting way to avoid being overwhelmed and distracted by it? Well, you’d think that thought had never crossed my mind when you look at this dress. The waist ties should be solid black, to interrupt the print a little but also define the waistline better. (Come on, Emily.) I’m going to replace the ties with solid black, and I will cut them using the original pattern piece, because I do like how wide it is. It gives the dress a little more character.

Putting the bodice together was fun, and I really liked the look of the sleeves at that point. After I finished the dress, though, I completely changed my mind. I think the combination of the big sleeves and the busy print of the fabric are too much. It’s almost robe-like, and I had a huge flub over the summer with a dress that looked like a robe, so I’d very much like to not make the same mistake twice. Eliminating the sleeves does make it easier to wear this with a cardigan or jacket, so I definitely appreciate the uptick in versatility. Without the sleeves, it’s a little more predictable and less special – but I’m okay with that. I can wear predictable, but I can’t wear robes or things I don’t feel good in or that aren’t flattering.

This will be much better:

The sleeves and sash belt don’t take away from my love for this pattern, however. It’s a good one! It’s true to size and flattering, and fit adjustments should be minimal. I think it would really shine in a solid color, and the blouse version with the flirty peplum is simply adorable.

This dress is unlined, and there are neckline facings. I don’t mind facings at all, and I think they’re just the thing in unlined dresses sometimes. With facings, I have do have one suggestion: finish the edge. I see unfinished or serged-only edges all the time, and some big time sewists prefer that and encourage their followers to do the same. I happen to believe that the smallest, easiest details are what take your sewing from “I made this in our spare bedroom” to “I made this but you would think I bought at Saks.”

Whenever I have a facing with an edge that doesn’t attach to anything else, I like to serge it and then press it under and edgestitch it. Simply serging it (or zigzagging it or what have you) isn’t wrong. I just think it looks a little unfinished. And to press the edge under and stitch it only adds a few minutes of production time. It’s worth it.

I’m looking forward to making a couple of tweaks to this dress, and turning into something that I really, really love. That’s the beauty of sewing – everything is fixable!

Happy Sewing!

ruffled up: vogue 9251

Hello and Happy Wednesday! I’m so happy to be back with you in a more “regular capacity” today after a wonderful few weeks in the zone with TÉLIO and HUSQVARNA VIKING®. I must begin today’s post by sincerely thanking you for a few things. I’m grateful you’re here and reading and following along, but I’m also thankful for your kindness and support. A few opportunities have presented themselves to me this year, and I’m so appreciative that I can embrace those things knowing you’re still interested and cheering me on. There are a few things I need to address from previous posts (underlining, hem facings, waistbands, swayback adjustments, etc) and I promise we’ll get to all of it soon. I have plans for new tutorials and projects to finish out the year, and I will go over your questions in the coming weeks. Keep them coming! Thank you also for your messages and prayers when Olivia died a couple weeks ago. The pet lovers out there know all too well how much our dogs and cats mean to us, and I was touched by your thoughtfulness. I will write a little more about that at the end of the post.

But first, let’s talk about a couple dresses, the first being a piece that will be at or near the top of my “hits” post at the end of the year. You know how you can work steadily on projects and love each one, but then one project comes along that is so good, so you, that it makes you stop in your tracks? That is this dress. I made two other versions this summer, but I always wanted a third in the maxi length. The project didn’t come together until I found this tissue weight floral rayon crepe at Britex Fabrics in San Francisco when Ty and I were there in July. I remember seeing the fabric for the first time, rolled up neatly in the middle of dozens of other rayons with its soft, pastel colors and beautiful floral print basically calling out to me. It’s the most expensive rayon I’ve ever bought (by a long shot, gulp) but I was meant to have it. Without a doubt in my mind I knew it would be perfect for the maxi length version of this pattern, Vogue 9251.

I started making this dress as soon as we got back to Texas, but actually finishing it got delayed when we moved in August, and then TÉLIO happened and time got away from me. It’s one of those projects, though, that I just had to finish. I needed a short break from fall and winter projects too, so this was a great way to give myself time to refresh. I posted countless in-progress pictures of this dress, so it made me feel better to finally finish it and it not be one of those garments that you see all over the place until it disappears without explanation.

This pattern is magnificent. Easy to sew, flattering, versatile. It’s designed to tie on the inside right and the outside left, but it doesn’t actually wrap all the way around you. The first time I made it, I left off the ties entirely in favor of snaps so I would have the option of wearing a belt with it if I wanted. The second time I made the ties as designed in the pattern. This time, I modified the pattern so that the ties are much longer, attached at the end of each bodice piece, and wrap around the waist.

It was as easy as making side of the front bodice longer to accommodate the ties, and leaving the right side of the bodice open for about an inch to create the channel for the tie to feed through. I also lengthened the bodice a little, and you can see that adjustment too. (Normally, I would copy these patterns onto more durable paper and make adjustments from there, but apparently I’m going through a lazy phase.)

Swayback adjustment on the back bodice:

The left side wraps under the right side, so the channel is on the ride side seam. I interfaced the seam allowances for extra stability and topstitched around it. Notice that in order to create the channel the side seams are serged individually then sewn together and pressed open. If you sew the side seams together as one, finishing the raw edges would get pretty messy.

To conceal the edges of the bodice, ties, and ruffle, I added a piece of bias tape which finishes that edge nicely.

Because this fabric is so delicate and drapes so beautifully, I thought a ruffle around the neckline would be a nice addition to the dress. To do this, I measured the neckline and drafted a circle for the back and front. I didn’t want a seam anywhere other than the shoulder, so I doubled the fold of the front ruffle so it would open up as one continuous piece.

Fabrics like this require extra care, so this dress took a little longer to sew than the previous two versions. As with most things you love though, it’s worth the effort – even if leveling the hem and then pressing, trimming, and sewing the narrow hem made me roll my eyes a few times.

I love this dress. Looove it. I cannot wait for the first opportunity to wear it – and we may be months out from that time but gosh it’ll feel great to wear this one.

Another dress I wanted to share before getting back into fall projects is my second version of Vintage Vogue 8788. I’m not dedicating a blog post to this dress because I covered all the pattern and sewing details in the original post featuring the navy polka dot version of this dress, but it’s another piece that got interrupted by our move and my other fall projects before you got to see it. I actually photographed this dress a couple days before we moved, but those pictures were so rushed that exactly none of them were good enough to post. So, here we are five months after I started this dress finally showing it to you!

For this second (and final) version I used a heavyweight blush pink Ralph Lauren linen suiting that I got at Textile Fabrics in Nashville in June. I’m not normally a big pink person, but this particular shade had me at hello. It’s subtle, sophisticated, and just really, really pretty. The fabric is heavy and substantial so there’s plenty of natural volume in the skirt, but I’m also wearing my petticoat to amp it up a little more.

I wanted to make one more version of this dress because it took such a long time to get the fit right that I wanted to squeeze out every last drop of value from my time investment. Plus, I really like the design of the dress! I really like this pink version, and I think it’s another fabric/pattern combo done right, but the design of the dress is such that, no matter what you do to it, it’s a little funky at the sides under your arms because of the way it wraps around to the back. Eventually, I will need to put a dart in the side bodice to get it to lay completely flat against me. I might have just enough fabric left to make a bolero jacket to go with this dress too, which I think would be gorgeous. For now, in my closet it goes!

Here you can see how far in the back the wrap goes:

And here you can see that, even with all the adjustments and contouring I did to the pattern, there’s still some fabric that could be taken in.

With these projects wrapped up, I’m excited to move onto fall and holiday pieces. I needed a couple weeks to refocus and be inspired to work with cold weather fabrics again. I’m ready now, although my focus will be less on coats and heavy winter garments and more on sparkly holiday pieces. (What can I say, I am who I am.) I have, however, had a coat in mind for about a year now, so I’ll get to that first thing next year. First up, the fun stuff.

I have a big announcement to make soon, about a project I’m working on with HUSQVARNA VIKING® so keep an eye out for that. We’re talking sewing inspiration, new garments, lots of sparkle and tulle – and giveaways! As soon as we’ve dotted the I’s and crossed the T’s, I’ll let you know.

Studio tour coming soon too!


I am a private person. This helps tremendously when it comes to being a sewing blogger, because I have no interest in sharing too much that doesn’t have anything to do with our topics here. How often do I mention my morning routine? Or what I make for dinner? I shared our new house with you because, well, along with that came a pretty great bonus room upstairs that I thought you’d be interested in watching being transformed into my new studio. One lesson I learned when I had a business is that staying on message and branding yourself as something specific and sticking to it is to your benefit. I also think that you’re here for a reason and it makes sense to stay in my lane and put the content out there that you appreciate and want to have. I have enough sewing know-how and related stories to fill a book, so those things make sense to share. Life happens to all of us, but you don’t need to know about everything that goes on behind the scenes. Sometimes, though, things happen that interrupt or delay projects and I can’t just ignore them. Such was the case with Olivia.

Olivia had a significant, profound impact on my life. Losing her not only caused a delay in my posts with TÉLIO and HUSQVARNA VIKING®, but completely broke my heart.

Ty and I adopted Harrison in January 2012, and it was just the three of us for about seven months. Then, we decided it would be fun to be a foster home for dogs waiting for adoption. We fostered two dogs over the course of about a month, but neither of those dogs captured our hearts. We were happy to take care of them temporarily, and it was wonderful to see them placed in a home where they would be loved – but we weren’t meant to keep them. Then Olivia walked in.

She was about a year old at the time, so only a few months older than Harrison, and her owners were going through a divorce and had surrendered her to the rescue organization we were working with as fosters. She was dropped off at our house one afternoon, and I think I loved her the second I saw her. Her darling little face and floppy ears and beautiful brown eyes were too much for me to resist. We weren’t really in a place to adopt a second dog at the time, but I think Ty saw how much I adored that precious little puppy and we made it work.

I never had dogs growing up. We had two cats, one of which died when I was a young girl. I don’t remember how sad that made me, but I know it did. Ty always had dogs, and for a few years we would talk about getting one someday. What started as me making a joke saying, “Well, if we’re going to get one, let’s get the biggest one!” turned into our actual plan – and so we set our sights on getting a great dane.

We love our dogs. We love them a lot. We are affectionate with them and take care of them and just enjoy being around them. Harrison is a big, lazy sweetheart and Olivia was the charming, energetic one. I could go on and on about all the things I loved about her. She got sick in August, but we were on the road to recovery – until one day we weren’t and there was no turning back. Watching your beloved pet – a member of your family – suffer and die is one of the worst things you will ever experience. My heart aches at the memory of her laying on a bed at the animal hospital, unable to move and hooked up to an IV. I completely break down when I think about watching Ty carry her in his arms to the car in the middle of the night before we took her to the hospital for the last time. And it takes every ounce of self control to keep from crying remembering when the hospital techs wheeled her into the room where we were waiting to have her put down. She lifted her darling little head up just one time in those final moments, and that was to watch Ty as he walked around the table to stand next to me near her face. It was awful.

We buried her in our backyard, and that has brought me some comfort, knowing that she’s back home with us. I couldn’t eat or sleep well for a week, and I have moments when I’m completely caught off guard and burst into tears at the thought of her. Sometimes it’s knowing I’ll never see her again. Other times it’s because I’m angry that I only got five years with her. I miss everything about her. She was my dog, and I know without a doubt that she knew exactly what I was saying when I held her face in my hands the night before she died and told her she was the perfect dog and that I loved her. I also know that we did everything we could for her, and that the last decision we made for her was the right one. I just never knew how painful it would be.

I’m slowly coming to terms with losing Olivia, but I can’t dwell on the final weeks of her life. I have to cherish the time I had with her when she was healthy and brought us so much joy. My goodness, I’m so lucky to have had her for any amount of time. Eventually, we’ll get another puppy. Maybe in a couple years, maybe sooner. I can’t fathom the idea right now, but I think we will. For the time being, I’m so grateful for Harry. We think he knows Olivia is gone, but he’s always been the easygoing one, so he’s his regular, goofy self. He’s getting even more attention these days, so he’s doing just fine.

Thank you for all the kind messages you sent me about Olivia. I never could have anticipated hearing from so many of you, and I was truly touched by everything you said and the prayers you prayed. Pets are such an important part of our lives, and I think you’re doing something right if you’ve experienced that kind of unconditional love.

true royalty: fall sewing projects with the DESIGNER RUBY Royale™

The “here’s what I made with __ machine” posts have quickly become some of my favorites of the year. Everything about this partnership with HUSQVARNA VIKING® is fun (and, boy oh boy, do we have something huge planned for next month!) but I especially like how seamlessly this whole thing fits in with what I would be doing on my own anyway: sewing my little heart out and sharing it with you. And if you’ve followed this blog for any time at all you know that I put my machines through the ringer, and it’s a must that they be up to the challenge.

There are some words that I use pretty consistently in all of these HUSQVARNA VIKING® posts, words like “reliable” and “powerful” and “easy to use” and they certainly apply to the DESIGNER RUBY Royale™. The difference is that now we’re getting into sewing and embroidery machines are that just really, really advanced and super smart. They do all of the things we sewists need and expect them to do, but the ease with which they do them – not to mention all the additional features and ideas and inspiration that comes with them – is enough to make you stop and go, “Wait, this machine can do THAT?!”

I got to use the DESIGNER RUBY Royale™ this fall, and my projects ranged from delicate dresses in rayon challis to intricate special occasion pieces in guipure lace and satin. There was sateen and cotton shirting and ponte knits and trims and underlining and blind hems and topstitching and more zippers than I can count. Funny enough, I find that I use a wider variety of fabrics for fall than I usually do for spring. So, this time around I wanted to focus on that, the variety of fabrics.

Because there were so many invisible zippers involved for these projects, I added a new presser foot to my collection: the clear invisible zipper foot. If you sew a lot of invisible zippers, it’s worth it to have this accessory. I’ve been using the invisible zipper foot that comes with the machine for years and loved it, but this foot takes things up a notch. There’s a channel for the zipper teeth to pass under and the needle sews right next to the teeth. It makes installing thoes pesky zippers even easier, and you can use it in conjunction with the foot that comes in the accessories pack with the machine.


One garment at the top of my favorites list is the lemon print skirt from the TÉLIO series. I knew I wanted something longer in length to show off the fabric, but I liked the idea of breaking up the print in an interesting way. Enter, piping! I added the piping in the seam connecting the hem band to the skirt. I got my hands on a clear piping foot ages ago when I realized the value in having an accessory that made adding piping a breeze. And you can use this foot to make your own piping and install it.

I spent the past couple of months moving from project to project, and each new project meant a new fabric. A quick change of your needle and fabric setting is all it takes to go from something like a super lightweight viscose batiste to a guipure lace with underlining and trim. And I know I’ve mentioned the Exclusive SEWING ADVISOR® and EMBROIDERY ADVISOR™ features a million times this year, but it’s worth repeating. That’s where we are with technology now – the machine provides guidance and optimizes your sewing and embroidery without you having to mess with a tension dial or fuss with your thread or worry that your machine can’t handle your fabric.

Prior to this partnership, I never gave much thought to embroidery. It was something that, quite frankly, intimidated me a little. And, I was under the impression that embroidery took forever. And what if the thread breaks? What about the bobbin thread? What’s the deal with stabilizer, anyway? I have to laugh looking back at my hesitations. Embroidery is so easy! (For those who haven’t seen my guide for all things needles and stabilizer, see this post.)

I’ve been practicing and experimenting with embroidery all year, in preparation for a very, very big project I have in mind for a jacket (coming soon!). I’ve tested fabric and stabilizer combinations, tried different needles, evaluated the characteristics of different types of thread, and pretty much just gotten comfortable with the process. The DESIGNER RUBY Royale™ does embroidery like nothing I’ve ever seen. It’s effortless. It’s fun to just look through the sample book, pick out a few things you like, and watch as the machine brings them to life.

I liked one of the designs so much I turned it into a pillow, because you know I love a pretty throw pillow. I used Robison-Anton rayon embroidery thread in coral, and I simply chose a design from the sample book and embroidered it on a medium weight cotton twill with a size 75 embroidery needle and INSPIRA® Tear-A-Way stabilizer. It’s a stabilizer that I’ve used many times before, and I love it.

It’s a good feeling when you can look back and know the work you did was thoughtful and well executed – and that’s how I feel about these projects. Of the few things I do exceptionally well sewing is near the top of the list, but the quality machines I use just make it look extra good. I really believe that using good tools and machines only make us better. And, in the case of the DESIGNER RUBY Royale™ and the other machines I’ve had the pleasure of using this year, a good sewing machine makes it all that much more enjoyable too. And why bother if it isn’t fun, right?!

Hard to believe my year as an ambassador is nearly over, but I think we’ve saved the best for last. I’ll be getting one more machine soon, and I can’t wait to see what it is. We’re putting the finishing touches on a big project for December with tons of content and giveaways, so I’ll post information and dates for that as soon as the project is ready. I’m getting excited just thinking about it! And starting soon, I’m going all in for holiday inspiration – so get ready for lots of sparkle and tulle and everything fancy!

As always, thank you for following along. See you later this week!

sewing magic with the DESIGNER RUBY Royale™

Time doesn’t always fly by for me. When I’m in the groove of a routine I don’t always notice when, all of a sudden, the year is half over – or a full season has already come and gone. But when life gets busy and I’m knee deep in exciting challenges and projects, months can fly by and it feels like mere days. I simply can’t believe that it’s November 4th already, or that I’ve had the DESIGNER RUBY Royale since August. The saying “time flies when you’re having fun” certainly rings true this time around.

Since February, I’ve had the best time using sewing machines from HUSQVARNA VIKING® as a brand ambassador. First, I got the DESIGNER JADE™ 35. Then for the summer I had the DESIGNER TOPAZ™ 50. This fall, I’ve had the DESIGNER RUBY Royale™ and there’s one more machine still to come. (I have no idea what it is, and I can’t wait to find out in the next couple of weeks!) The DESIGNER JADE™ 35 is a great little machine and I enjoyed using that one because it took me back to when I was just starting my sewing journey. (The difference with the Jade is that it can do tons of things my very first machine never could.) The DESIGNER TOPAZ™ 50 was a fun machine to use because it’s similar to one I already own, so I was able to dive right in without even wondering how to turn it on. I had an especially good time experimenting with embroidery on that machine. (See the Fourth of July apron I made here.) Almost every garment I’ve made so far this year passed under the needle of those machines, and it’s been no different this fall with the DESIGNER RUBY Royale™.

The DESIGNER RUBY Royale™ is unlike any machine I’ve ever used. It’s everything I expected it to be (powerful, efficient, user friendly), but it takes actually operating a sewing machine with ease to the next level. There’s this huge screen with a vivid, colorful display and a stylus that you use to navigate through the screen and as someone who is admittedly somewhat intimidated by cool technology for no good reason, I had a moment when I wondered if I would be able to figure it out. (I am so silly sometimes.) The fact of the matter is that is no learning curve whatsoever. You simply turn on the machine and go. I found the stylus incredibly easy to use, and I never got frustrated trying to find the right stitch or setting.

Just watching this thing turn on is impressive!

The DESIGNER RUBY Royale™ is a sewing and embroidery machine, and I would recommend it to intermediate to advanced sewists who have big plans for detailed projects and lots and lots of embroidery. 357 designs come with the machine, in addition to four embroidery fonts in three sizes. There are more than 1000 stitches on the machine, including utility stitches, different buttonhole styles, quilt stitches, decorative stitches and sewing fonts. I had an incredibly fun Saturday morning a couple weeks back just playing with the different stitches available. It’s easy for me to get in the zone with just a few basic stitches, so I appreciated being reminded that something as simple as a decorative stitch was but a touch of a button away. Think of all the cute things that could be made for Christmas and holiday gifts! Or table runners or napkins or scarves or handbags or blouses or quilts or . . . anything you can dream of.

The clothes on the drying line stopped me in my tracks. That stitch is beyond adorable!

Loads of accessories are included with the machine, and you also get two embroidery hoops: the DESIGNER™ Royal Hoop (360×200) and the DESIGNER™ Splendid Square Hoop (120×120).

A USB stick is also included, which enables you to download new embroidery designs you may find online and transfer them to the machine. Software updates are also easily available through the USB stick or a USB cable (also included). With so many designs already on the machine, you’ll be busy for quite some time before needing something new.

The DESIGNER RUBY Royale™ was designed for large projects, and it has a generous sewing surface as well as a large embroidery area so you can stitch those big design ideas with just one hooping.

One of the coolest features on this machine is the Basic Design Applique feature which creates applique embroidery which you can then layer for a dimensional look on your projects. This would be gorgeous on a handbag!

And, like the DESIGNER TOPAZ™ 50, the DESIGNER RUBY Royale™ comes with the EXCLUSIVE SENSOR SYSTEM™ technology which senses your fabric thickness for perfect, even feeding under the presser foot. The Exclusive SEWING ADVISOR® feature optimizes your sewing by selecting the best settings for you and giving you on-screen advice. This is one of my favorite things, hands-down, ever. When you turn the machine on and select your fabric type (“woven medium”, for example), the machine tells you what needle is best (80, in that case). I think that is an invaluable feature for those still learning or who aren’t too familiar with the various needle size/fabric combinations just yet.

The DESIGNER RUBY Royale™ is pure excellence. I’m thrilled I had the opportunity to use it, and I encourage you to check it out at your local dealer – most of which are in big JoAnn stores. My local dealer knows me by now! And I’m lucky to have the most knowledgeable, kind, and helpful ladies there who have helped me quite a lot this year. (Hey, Karen and Linda!) Sometime in the next couple of weeks, I’ll be getting the last machine of the year, and I don’t know what it is. I’m so excited for it to be delivered – I have big, big plans for lots of projects to wrap up the year.

Thank you for following along all year! It’s been so much fun to share this with you. I’d love to hear from you if you’ve purchased your own HUSQVARNA VIKING® machine – tell me all about it in the comments! On Monday, I’ll be looking back at all the projects I’ve sewn on the DESIGNER RUBY Royale™ over the past couple of months, and sharing a fun embroidery project I did that I get to look at everyday in my studio. See you on Monday!

the TÉLIO collection: sensational satin

I have been excited about this post for weeks. It’s been so rewarding to see this collection come together, and to make it whole with this finale piece is very gratifying. When I first spoke with TÉLIO a few months ago, I never could have anticipated the joy I would have gotten out of this series. I knew putting a collection together was going to be tons of fun, but the challenge of showing each fabric in the best way possible forced me to create a some looks that may not otherwise have created – and that was a huge and unexpected bonus. I’ve had the most incredible time over the past few weeks, and it really all comes down to having the opportunity to work with these gorgeous fabrics.

Today’s dress is a dress I’ve made once before, and it is my own design. I used a navy blue, medium weight polyester satin  (a similar fabric – a stretch polyester satin – is available at fabric.com) to make this piece, and it is lined in bemberg rayon and has horsehair in the hem facing for added oomph in the skirt. It has side seam pockets, cups in the bodice, and an invisible zipper in center back. I spent an excruciating amount of time thinking about what to do with this fabric. (Really, I nearly drove myself nuts.) How to show it the best way, what garments work the best with its characteristics – there were a lot of considerations for this piece. In the end, I went with this dress because it’s not only lovely in this fabric and color, it’s something I will wear. I love having a solid navy dress in the line up, because it’s a color seen throughout but not in an overwhelming or redundant way. The bias tape along the waistline, midriff, ties, and hem band are a nod to a detail from a few weeks ago on the lemon print skirt, and I like that it gives the dress some additional definition.

Satin is a beautiful fabric, and this one is especially pretty. It’s substantial and smooth and easy to sew and comfortable. I’m glad we included this fabric because it’s a nice addition to the other textures in the group.

To wrap up this collaboration, TÉLIO asked me a few questions about my creative process and what it was like to work with them. (Obviously, it’s been wonderful.) Here’s our interview:

What questions do you ask yourself before beginning a new project? What do you feel is most important before picking the fabric / how does it inspire you?

In the past, I’ve spent too much time forcing myself into projects that didn’t work for me, so now I begin every idea considering how well a garment will fit into my lifestyle. I don’t need to make cardigans or tees to feel like I’m contributing in a meaningful way to my wardrobe, but I like knowing that what I’m making will be worn. Fabric is one of my biggest inspirations. I’m always drawn to color and texture and print and the challenge of making a fabric I really love work for me. I have always loved quality fabrics too. It’s worthwhile to invest in fabrics that are not only wonderful to work with, but that won’t fall apart over time.

Have you ever felt stuck creatively? If so, how do you break that?

Yes! I have to take a break for a while. Sometimes all I need is an afternoon outside or a couple of days to spend enjoying other hobbies, but the motivation and ideas always return. I think we do ourselves a disservice when we try so hard to constantly be working on something or we don’t allow time for rest and reflection. I know this from personal experience. You have to give your mind time to do other things. Then we can return with a fresh perspective and newly inspired to do great work.

 What is your goal as a blogger/designer?

I want to contribute to the sewing community. I spent a long time studying design and sewing, and I have a lot to offer those who are excited to expand their own skills. Finding my voice as a blogger and designer has taken time, and I’m always looking to improve and grow and learn. Most of all, I have incredible passion for this craft, and I want to inspire others in their own journey.

Seeing as you’re a true influencer to your readers – Who inspires you?

I adore expertise and talent, so there are a few fashion houses and fashion bloggers I admire for their consistency and outstanding work, and I appreciate people who have their own look or point of view figured out and execute it well.

 How was your experience working with TÉLIO? Did the fabric meet your expectations?

Incredible! I was a fan prior to this series, but now I’m a mega fan. The fabric is nothing short of magnificent, and it exceeded my expectations. I think it says a lot about your mission and values as a wholesaler that you have such a wide range of fabrics – and that they are all such fabulous quality.

What were some challenges you faced during the making process and how did you overcome them?

The challenges that popped up over the course of this process were mostly time related – so there may have been a late night or two to put it all together! I also spent a lot of time thinking and planning each look. Some took more thought than others, but that was all part of the fun. I spent some time just looking at the fabrics and seriously thinking about each component and how they would all work together.

Now that the whole process has come to an end – how do you feel? Are you happy with the outcome of the final fall collection?

I’m so thrilled! I always think it’s a good sign to look back at a body of work without regret or disappointment. If anything, I look back at this collection and I want to keep going – there’s tons of things I’d love to add to it!

Thank you to TÉLIO for the opportunity to put this collection together with such beautiful fabric. I know I’m one lucky girl!

And thank you, readers, for following along. I have so enjoyed your reactions and reading your comments. This wouldn’t have been half as fun without you! I have read all of your emails and comments and questions, and I will address a couple things over the next few weeks in more detailed posts. (Hem facings with piping, horsehair, underlining – we’ll go over all of it!)

But first, next week, we’ll be talking about the DESIGNER RUBY® Royale – stay tuned for all the details!