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how to: add a button extension

And just like that, three weeks have gone by since my last post. June and July have been busy and full of new adventures and distractions, but I certainly didn’t think my blogging routine would fall by the wayside. And I’ve had good intentions, saying things like “coming next week” and “look for the new post in a couple days” but time and other things kept me from sticking to it. All of this to say, my apologies for getting off track. I’m excited to be back with you today, and I have tons of content planned for the rest of the summer. The funniest part about all this is that I have the pictures and ideas ready to go, it’s just a matter of editing and typing it all. Maybe I’ve stumbled into a lazy streak when it comes to computer work?

If you’re wondering about what’s been going on with us this summer, I’ll put some highlights at the end of this post. But first, let’s talk about this darling skirt. I’ve had this out-of-print pattern for ages (McCall’s 5431), and it’s one of those patterns that always gives me pause when I’m digging through my pattern stash. It’s a great little skirt for summer, and I especially love the big patch pockets. For the longest time, I thought the design was missing something, but I couldn’t put my finger on exactly what it was. That is, until Emily’s Summer of All the Buttons 2017 mindset kicked in and the lightbulb went off: Buttons! It needs buttons! (And I’m not kidding about my button obsession. I’ve made two new button-up blouses, and I have plans for four shirtdresses. I can’t stop with the buttons.)

My fabric is 100% linen, and I got it from Textile Fabrics in Nashville last month.

In order to have the skirt button up the front, I added a button extension. It’s an easy pattern change to make, and once you know the rules for button placement and spacing, you can apply this concept to just about anything. There’s a few different ways to execute the placket itself (a fold-over facing, a separate placket, etc.), but for this skirt I went with a separate facing piece.

The rules for button placement and spacing are pretty simple, but it all starts with the size of the button. I used 7/8″ buttons for this skirt. Usually, with button extensions (on a blouse, for instance), spacing is determined using the first and last buttons as a guide. Then you fill in the rest, making sure each one is evenly spaced. With a skirt, however, buttons don’t always go all the way to the hem, so determining placement and spacing is much easier. You can just start at the top and work your way down without having to worry about spacing the buttons in between the top and bottom buttons. So, if this is something you’d like to try on a project, I’d recommend starting with a skirt.

Here are the guidelines for adding a button extension:

  1. Length: The length of the buttonhole is equal to the size of the button plus 1/8″. My buttons are 7/8″, so my buttonholes are 1″.
  2. Placement: Buttonholes are sewn 1/8″ beyond the center front line, or wherever the garment is overlapping. So the majority of the buttonhole will be on the garment side, with just the 1/8″ extending beyond center front.
  3. Spacing: For blouses, mark for the first and last buttonhole, and then divide the remaining space among the rest of the buttonholes. For a skirt or other garment where the buttons do not cover the full distance of the placket, start at the top and work your way down. You want enough space from the top of the button so that it doesn’t touch the edge of the garment, but don’t leave too much space so that it gaps open.
  4. Extension/Facing: To accommodate the buttons, you have to add space beyond center front. This is equal to the size of the button. So, I have added 7/8″ beyond the center front line. Then, I added seam allowance (5/8″). In total, I’ve added 1.5″ to center front. (You can see that in the white paper.)

This skirt has a yoke, and only one button could fit on it, so that made this even easier. I simply centered the first button on the yoke and worked my way down.

To determine the spacing for the remaining buttons, I used a couture method I like to call “eyeballing” it. (Hey, when it works, it works!) Bigger buttons need more space between them, and then the opposite is true. Just keep an eye on proportions. My buttons are spaced 3″ apart.

 And that’s it! I’m quite happy with how this skirt turned out. I think the buttons give it a little something extra, and I know I’ll get a lot of wear out of this piece this summer. I really, really need a few garments like this (easy to sew, unlined, comfortable in the heat), so I know I’ll be making this one again.

This pattern is out-of-print, but it is still available to purchase on the McCall’s website. I’d also check eBay too, if you’re interested. I didn’t make any other changes to the pattern, but I will say that it runs a bit big. I ended up going down two sizes. The pocket flap is also a bit funky, so I ignored that pattern piece and tweaked the pocket piece so it would have the same look.

I didn’t have any ribbon on hand that I really liked, but I did have a small piece of lace to use along the bottom of the yoke lining. I think it finishes that seam nicely. It serves no practical purpose, it’s just a pretty detail for the inside.

It’s been a busy summer for us. I mentioned a few weeks ago that we were house hunting, and I’m thrilled to tell you that we found one. YAY! This is our first home purchase together, so it’s extra exciting for us. We have big renovation plans for the house, so I’m excited to share those with you soon too. We’ll be moving next month, and I’ve already started organizing and packing the house we’re in now. It’s been a few years since we last moved, so I’d forgotten (or just blocked out) what a task all that is. But I’m taking it one day and few boxes at a time.

The house we found is truly a blessing for us, and it has just about everything we’d been looking for. Ty has an office, and I lucked into a huge studio space (even bigger than what I have now!), and we have plenty of room for guests and an acre lot for the puppies to run around in. The neighborhood is charming with tons of mature trees, which takes me back to growing up in North Carolina. The house itself has quite a bit of southern charm, and I can’t wait to get some white rocking chairs for the porches and enjoy having usable outdoor spaces.  We love it.

Ty had some business to do in Alaska and California recently, and I got to tag along. His parents have a cabin in Alaska, and they happen to live 20 minutes from where Ty needed to go, so we got to visit with them for a few days. We explored and fished for salmon and had a wonderful time. This was my first trip to Alaska, and it was magnificent. Then we spent a couple days in San Francisco for the final leg of the business trip. I spent an entire afternoon at Britex Fabrics, easily one of the best fabric shops I’ve ever seen.

It’s always fun to leave for a trip, but it’s also nice to come home. I’m glad to be back, and it felt so good to sit down at my sewing machines after a few days away. You know me – always working on projects is my happy place.

Ty in his element, fishing at the Kenai River.

Walking along the beach in Homer, Alaska.

I caught a salmon. ALL BY MYSELF. It was amazing. (Also, kind of gross.)

Beautiful Alaska.

Have a great rest of the week!

star power: summer projects with the DESIGNER TOPAZ™ 50

The idea that time flies when you’re having fun could not be more true. In fact, it’s been so much fun and I’ve been so focused on my projects (“in the zone” as I like to say), that I only just realized the other day that’s it’s been two months since I got the DESIGNER TOPAZ™ 50 to use for the summer. Two months! Before you know it, we’ll be talking about fall and holiday plans. But, right now, it’s my favorite season and I’m enjoying every second of it, even if it is so hot that I can feel my face melting every time I walk out of the house.

A couple weeks ago, I highlighted some of the features and capabilities of the DESIGNER TOPAZ™ 50, and today I’m going to show you the projects I made using it. I mentioned before that this particular sewing and embroidery machine is only two models up from one of my own machines (I have a DESIGNER TOPAZ™ 25), so it was immediately familiar to me. I was able to dive right in and while I did sew a handful of garments on this machine, the focus this time was really on showcasing the embroidery this machine can do. It is spectacular.

The ladies at my local dealer (hey, Linda and Karen!) were immensely helpful in walking me through some of the basics, and I invested countless hours into various tests of thread/needle/fabric combinations, while also experimenting with the design functions on the PREMIER+™ EXTRA software I have. Just like anything else, it just takes a little time and practice to get the hang of machine embroidery, but I also found that I was unnecessarily anxious about it. It’s so easy!

There are 150 embroidery designs that come with the machine, so you’ll have plenty to choose from the moment you unpack the machine. One of the designs is for a pair of earrings, which has got to be one of the coolest things I’ve ever seen. We all probably associate embroidery with some of the same things: tea towels, tote bags, t-shirts, etc., but this machine really opens up a lot of creative possibilities beyond the typical projects. Who would have thought about embroidering earrings?! The HUSQVARNA VIKING® folks, that’s who.

The earrings are made by embroidering on water soluble stabilizer and a piece of polyester organza (a tip I picked up from Linda at my dealer, and it really did make a difference). For the earrings you’ll need your choice of thread (I went with one solid color), stabilizer, earring hooks, hotfix crystals, and a hotfix applicator. I also found applique scissors to be the easiest for cutting the organza from the finished embroidery, but small, sharp scissors will work just as well.

My applique scissors. (Get a pair here.)

I used the small hoop that comes with the machine (the DESIGNER™ Splendid Square Hoop, 120 x 120), selected the design from the machine, and pressed the start button.

After you’ve embroidered the earrings and cut the organza away, soak them in warm water for about ten minutes to allow the stabilizer to dissolve, and then air dry. Once dry, apply the crystals and the earring post, and then you have yourself a brand new pair of adorable earrings. So much fun! Makes a great gift, too.

I had some intricate ideas for embroidered garments (still do, I’ll bring them to life eventually), but for this first project I decided to go with something a little more straightforward. One thing I didn’t want to do, however, was a simple, centered design. Not that there’s a thing wrong with that, but I kept going back to something with a more random, scattered placement that wasn’t a symmetrical design. I had high hopes for an embroidered wrap top, but I ended up going with an apron because it allowed me to go with a smaller design that I could embroider in sections. With the top, I kept running into overlapped embroidery or wonky placement, which was just a result of lack of practice. I didn’t want any of the embroidery to get into the seam allowances, but I also wanted it to follow the lines of the bodice. Because the front bodice piece was a little bigger than the hoop it needed to be embroidered in sections. The tricky part came in figuring out whether to do that in a top and bottom section or one big middle piece and two side areas. I tried both, but even with careful placement and measuring I couldn’t quite get the sections to work together without overlapping or creeping into the seam allowances.

Here you can see that the middle section of the embroidery has been applied, so I’m attempting to embroider the shoulder and side areas without overlapping what’s already there.

So, instead of a bigger design, I changed things up and designed a small cluster of three stars that I could embroider in various places. I will revisit the blouse idea later on, but the idea of a patriotic apron with stars on it was one I couldn’t pass up. So, I picked some denim from my fabric stash along with a red check cotton for the ties, and I got busy embroidering.

I traced the outline of the apron with tailor’s chalk, making sure to mark my seam allowances and pocket placement to avoid embroidering in those spots. I did a quick test run of the star cluster, and used that test piece to determine the placement of each little trio on the apron.

By simply rotating the design each time I embroidered it, I achieved the look I was going for: scattered placement that didn’t look repetitive or too intentional but was thoughtfully arranged. And each little cluster looks different, but it’s the exact same design. All I did was rotate it.

I thought it would be fun to embroider the pocket in a neat row of stars of the same size, so I decided how big I wanted them, designed and measured it to make sure it would fit the size of the pocket and follow its shape, and embroidered it in one go on the big hoop (the DESIGNER™ Royal Hoop, 360 x 200), and attached it to the apron. The apron is denim, and I used a size 80 titanium embroidery needle, black embroidery bobbin thread, and INSPIRA® Whisper Web Mesh Light Cut Away Stabilizer.  Sulky embroidery thread. Worked like a charm.

I’m calling this apron “The All American” because if there was ever an apron deserving of that name, it’s this one. I love it!

These projects were so much fun I kick myself a little for not getting into embroidery sooner. Think of all the things that can be made now! I have big plans for an embroidered cropped jacket to go with this dress I made recently, and I’d like to do some fun embroidery (bees, maybe? or something cute like bananas or some kind of animal?) on a dress, so I’m looking forward to doing those things later this summer.

Happy Fourth of July! For me, this holiday is up there with Christmas. I love celebrating our nation, and I love everything patriotic and American during the summer. It reminds me of the summers my brother and I had when we were growing up. Biking to our neighborhood pool, sunny afternoons in the magical treehouse in our backyard, beach trips with our grandparents, church retreats, and running around with all of our friends. Most importantly, the freedom we had to do it all.

Ty and I are in the midst of our first house hunt. It’s exciting and frustrating and tons of fun and a huge pain and everything everyone always says about buying a home, but it’s also humbling in a way. I’m so thankful to live in a country where we have the freedom and opportunity to work hard and make a life for ourselves. I have always dreamed of living the life I live now, and it’s days like today that remind to take a moment and appreciate being an American and be thankful for the freedom to make choices for myself and live as fully and as heartily as I possibly can. Because, no matter what, I love my country and I’m proud to be an American.

Now, let’s see if I can whip up an apple pie.

buttoned up: vogue 9182

A few weeks ago I set a lofty goal to make quite a few new pieces for summer. With it hovering around 100 degrees here almost daily now, I’m in desperate need of clothes to help me survive the heat. So, long gone are the projects with full linings and zippers and sleeves. In their place are all the things I not only love to make but will also get a lot of use out of this season (hello, linen and floaty dresses and swishy blouses and wide leg pants!). The two dresses in today’s post are certainly on that list.

I have a standing date with my pattern stash every couple of weeks, where I look for inspiration or pull a pattern that has been patiently waiting for its turn to be whipped into something pretty. I can’t remember when I bought Vogue 9182, but I think I’ve had it for quite some time and I stood out to me during a recent dig through the stash. I’d been hesitant to use it because it exposes a little more skin than I’m used to and for a long, long time I was averse to anything sleeveless. Well, I’ve finally kicked the “I can’t wear sleeveless things” silliness, and to get a little more skin coverage I simply raised the back pattern so it covers my back completely.

The red gingham is from Fabric.com, and the creamy white linen is from Textile Fabrics in Nashville. It’s a Ralph Lauren linen suiting, so it’s quite substantial and weighty. I have enough of it left to make an embroidered jacket later this summer. Excited about that.

I initially wanted to make the red gingham version to take to Nashville last month, but time got the best of me before I could finish it. As soon as I got home, I not only finished it but turned around and made a second version because I liked it so much. (And I got the perfect fabric for it in Nashville, so the stars aligned.) Maybe it’s the buttons or maybe the full skirt (maybe both?), but this dress is just dreamy to me. I love it.

I only made a few adjustments to the pattern for the red gingham dress: a swayback adjustment and I raised the back pattern pieces for full back coverage. I also combined the back and side back pieces so that the back bodice piece could be one single piece. Because I was short on time I skipped making a muslin which, as you well know, is not something I normally ever skip. I knew, based on the finished garment measurements, that the dress would fit nicely and any small adjustments could be made later. I was happy with the fit of the red gingham dress, but for the white linen version I raised the side seams for more coverage under the arms and shaped the front princess seams for a more flattering fit.

This is what the back pattern pieces look like after the adjustments were made. And, again, I would usually trace my tissue pattern pieces on paper and make adjustments from there (to avoid messing with the tissue), but time was not on my side.

And here’s how the back looks on me. I have the coverage I need, and it’s nice and smooth because of the swayback adjustment. You can also see the difference raising the side seams under the arms made to the white dress. I raised the side seams by 1 1/2″, and I think the additional coverage is a little more flattering.

And the front pieces:

The skirt for this pattern is a full circle, and I went with the longer length in view B, which is 31 1/2″ from the waist. Both skirts needed to be leveled (more info on that here).

Matching the pattern on the gingham dress was a task that made me go a little cross-eyed, but I’m happy with the end result. I told myself I wouldn’t be using any gingham or stripes or plaid for a while after this, but what did I do but turn around and start working on a madras plaid shirtdress. I’m a glutton for punishment, I guess.

I keep referring to this as “white” linen, but it’s really more of a creamy vanilla or eggshell white. I like that because it will transition to fall nicely, especially once I make the matching jacket to go with it. I love linen so very much, and this fabric was a dream to work with. I’ll have to get video of this dress in motion eventually, because the way it moves it just stunning. And tons of fun to wear.

I included a waist stay on both dresses, which snaps together underneath the button extension. It does its job beautifully, because there’s no pulling around the waist where the dress is buttoned. That can happen sometimes with shirtdresses or any kind of dress that buttons closed even if it’s the right size, but the waist stay eliminates that.

Anytime there’s a facing in a garment that isn’t attached to a lining, I like to not only serge it but turn it under and edgestitch it too. It hides the serged seam nicely, and makes the garment look a little more professional and high end.

Pockets.

If you’re looking for a summer dress but your version of a sundress is more like mine (I need a wee bit more coverage), I recommend this pattern. I really love making buttonholes and sewing buttons. It’s a refreshing change of pace sometimes, even though my machine really does all the work for the buttonholes.

I think both of these dresses will serve me well this summer and beyond. The white linen dress is a little more dressy, so it might become my summertime date night dress. And you know I love gingham, so the red number will be worn a lot. Sometimes I know when it’s time to walk away from a particular print or color for a while, but I think my heart is set on one or two more gingham things. Probably a blouse and a skirt. Then I’m done, I promise. Almost for sure.

Have a wonderful weekend, and I’ll be back next week with more summer projects and a new “how to” post. Lots of fun things coming up!

sewing magic with the DESIGNER TOPAZ™ 50

Whenever someone asks me what I like best about my sewing machines, I always say “the possibilities.” I love the stitches and capabilities and cool new features, but a good sewing machine is what helps bring ideas to life. That perspective, looking at things through the lens of further developing an idea or elevating a project from the original idea, is how I approach my projects, and it’s also how I’m approaching my partnership with HUSQVARNA VIKING® this year. I want to not only show you these incredible machines (and I’ve known how amazing they are for a long time now), but I also want to emphasize the features and things they can do that really take your creativity to the next level.

This summer, I get to sew my projects on the DESIGNER TOPAZ™ 50, a sewing and embroidery machine that is only two models above a machine I own, the DESIGNER TOPAZ™ 25. So, it’s been a real treat to play with the 50, because it immediately felt familiar to me, only with a few updated features that make it really sing.

The DESIGNER TOPAZ™ 50 does a lot of amazing things, but the first thing that captures your attention is the fact that there’s no lever behind the presser foot. The presser foot is raised and lowered with the start/stop button, but also when you tap the foot pedal. That small detail is a life changer! There’s also a button that cuts your threads when you’re finished sewing, and big, bright LED lights that illuminate the sewing area really well. Look how bright that is!

There’s an Interactive Color Touch Screen which I found to be very easy to navigate, especially during the embroidery projects. The Exclusive SEWING ADVISOR® feature optimizes your sewing by selecting the best settings for you and giving you on-screen advice, and the unique EXCLUSIVE SENSOR SYSTEM™ technology senses your fabric thickness for perfect, even feeding. Sensors in the machine let you know when your thread and bobbin are getting low, and you can even wind and replace a bobbin mid-embroidery. This was something I discovered for myself during a test of the stars in the picture above. A message popped up telling me the bobbin was low and the embroidery came to a half. You simply hit the button that says “bobbin position” which moves the embroidery hoop out of the way so you can retrieve the empty bobbin, rewind it, and put it back in. Then, you press the start button and the machine takes you right back to where it left off. I know I’m relatively new to the embroidery game so you experienced pros might be chuckling at this, but I was completely and totally floored. Simply amazing.

If you’re like me and your sewing projects center around apparel or accessories, there’s nothing this machine can’t do for you. Like the DESIGNER JADE™ 35 I had this spring, the DESIGNER TOPAZ™ 50 does all the basics, but this machine comes with even more built-in stitches and embroidery designs. It can do everything from automatic buttonholes, blind hems, and overlock stitches to belt loop stitches (how awesome is that?! we all know how thick things can get when you attach belt loops) and elastic/casing stitches and teardrop and standard eyelet stitches. All told, there are more than 250 stitches and 150 embroidery designs and 2 embroidery fonts on the DESIGNER TOPAZ™ 50.

You get an embroidery sampler with the machine with pictures of all the embroidery designs too, which is great. This is one of my favorites, and it’s a composite of a bunch of smaller designs. And remember, the colors are up to you. You can go with the original colors, go with one solid color, or change the color story completely. Endless possibilities!


You get two hoops with the machine: the DESIGNER™ Splendid Square Hoop (120 x 120) and the DESIGNER™ Royal Hoop (360 x 200). I used the smaller one for the tests I did to decide on design and color, and I used the big one when I started executing the project I’m working on, which you’ll see in a couple weeks. (I’m using the PREMIER+™ EXTRA embroidery software to bring this idea to life. But more on that later.)

The big hoop in action:

The little guy:

One of the embroidery designs that comes with the machine is for a pair of earrings. And yes, I know how awesome-out-of-this-world that is. Earrings! I’ll show you how to make these (it’s super easy!) in a couple weeks in the projects posts for this machine, but here’s a sneak peek. How fun!

Here’s what I want you to know about the DESIGNER TOPAZ™ 50: it is incredible. This machine would be great for established seamstresses or sewing professionals, and is especially nice for those of you interested in some serious machine embroidery. You’re already set up for success with the 150 designs that come with the machine, but the options are really endless when you consider the Design Positioning feature that lets you join large embroideries with perfect placement every time, and the Embroidery Design Editing and Save features that enhance your embroidery creativity and allow for a more personal and precise result.

Overall, I’m just really, really impressed with the DESIGNER TOPAZ™ 50 . I’ve made a lot of things on this machine (which you’ll see in a couple weeks), and not once did I run into something that the machine couldn’t do. I’m also dipping my toes into embroidery more and more, and some of my ideas are more advanced than just a simple design centered on a piece of fabric, and I feel really confident in my being able to execute them because of this machine. The best part is being able to press the start button and then work on other tasks while this smooth operator hums away in the background taking care of business. Multitasking at its finest.

I love that it comes with two hoops, and I love the huge sewing area and the long embroidery arm. Threading it is a breeze, and telling the machine what I want it to do is as simple as pressing a button. Gone are the days of manual adjustments and stressing about tension. Things like that matter when you’re spending so much time in front of a sewing machine.

As always, special thanks to the kind folks at HUSQVARNA VIKING® for allowing me to officially champion the brand this year. It’s so much fun! In a couple weeks, I’ll be showing you all the things I’ve made on the DESIGNER TOPAZ™ 50 and you’ll see my big embroidery project and the earrings in all their glory. Until then, have a look at this machine, and the next time you’re in a big JoAnn store with a dealer, stop by and play with the machines, including this one. You won’t be disappointed!

wrapped in white: vogue 9251

This time one year ago, I didn’t have many things in my closet, and I certainly didn’t have many handmade items yet. I spent the summer in a store-bought, white lace skirt with an elastic waistband which I paired with a men’s button up shirt that I tied around the waist. I would throw on a hat and sandals and that was my main summer uniform. It was pretty much all I had at the time, and it was the closest I could get to cool and comfortable. It wasn’t until later in the summer that I made a dress that replaced the skirt and shirt look. That dress also reminded me of the joys of elastic around the waist (so comfortable!), so I predict more of the same this season.

You see, it gets really hot here in the summer, like really hot. I can’t be walking around town in fitted dresses with big skirts and full linings. I’ve tried, and it doesn’t work. So this time around, I will be investing some time into pieces that are more suited for our (sometimes unbearable) Texas heat. That means a lot more linen, a lot more pieces that aren’t so fitted and formal, and a lot more things that aren’t fully lined or are only partially lined.

When the Vogue summer collection was released a few weeks ago, I instant fell in love with three of the designs, one of which is the dress in today’s post. (I also love 9253 and 9257.) This dress is elegant in its simplicity, and it’s so delicate and subtle. I love the sleeves, and I also love the personality in the skirt with the shaped hemline. Lots of bloggers and fellow makers have already made this dress, which only further inspired me to whip up one of my own. I have a few rayon challis prints in my stash that would have been a great fabric option, but I kept going back to the idea of clean, white linen. I’ve gone on and on and on about a few fabrics and prints lately (hello, gingham and stripes!), but I can’t overstate how much I love linen too, especially in the summertime.

Linen is not listed on the pattern envelope as a suggested fabric, but I knew it would work. I used a medium weight, 100% linen so it gave me a little more volume in the sleeves, which I like. I made this dress to take with me to Nashville last week, and I finished it in plenty of time. That’s the beauty of a quick sewing project! To be fair, I crammed a lot of sewing into the week prior to my trip, so I skipped a step I normally would never skip, and that’s making a muslin. I got lucky this time because it fits well and I like the overall look of the dress, but the bodice is 1.5″ too short for me. Not a huge deal, and I’m probably the only one who notices it, but I will lengthen the bodice for the next go round. And there will be a next go round, I can promise you that.

I wore this dress the day we went to the botanical gardens. I’ve been to Nashville countless times, but this was my first visit to Cheekwood Estate & Gardens, and it is well worth the visit if you’re ever in Nashville. It’s gorgeous.

I opted to leave off the ties in the dress and went with a snap closure instead. I wanted the option of wearing a sash belt or leather belt, and the waist ties would have gotten in the way of that. A sash belt is really all I can get away with though, because a regular belt only emphasizes the shortness of the bodice and I look a little stumpy.

Without the ties, the edges were a little messy, so I added a piece of grosgrain ribbon to conceal that. It’s also a nice backdrop for the snap.

The sleeves are so pretty!

Pockets.

I made my own bias tape for the neckline. Made yourself or store bought, I love this finish. It’s so clean looking, and it’s easy to do.

You can see the fold of fabric under one side of the bodice, which is the clearest indication that it’s too short.

I’ve already adjusted the bodice pattern and one of my weekend projects is making this dress again, this time in a rayon twill print (it’s sold out, sorry about that). I’d really like to see those sleeves in a lighter fabric with more drape. I’m also toying with the idea of drafting a fuller skirt without the shaped element, simply because rayon twill is too much fun to twirl around in, and you lose a little of that with the skirt as it is.

If wrap dresses are your thing, or you just like this dress I can’t recommend this pattern enough. Just keep an eye on the bodice and lengthen it if you need to. Stay tuned for the next version, and have a wonderful weekend!