Home

how to: add a vent in a straight skirt

I’ve never been one for mini skirts. I don’t really have the legs for a skirt that short, and I’ve always wondered about the whole sitting-down-and-actually-doing-things-in-a short-skirt dilemma. But I do have the height to pull off a skirt that falls below my knees. Good thing too, since my preferred skirt length falls somewhere between right below the knee and mid calf. I add length to my skirts on just about every project.

Any skirt with adequate sweep in the hem is a no-brainer to lengthen, but the closer fitting pencil and straight skirts require an extra step or two to make them wearable. Enter, the back vent. Today, I’m going to show you how add a classic back vent to straight skirt patterns, and then we’ll go over how to sew it. Just like everything else, there’s more than one way to go about this, and it’s up to each seamstress to determine what’s best for her project. A pleat in the center front seam can be a fun alternative to a basic back vent. Or, a flared gore in the center back seam elevates the back vent to an intentional design detail. I’ve seen pleats in the back princess seams too, which is also another interesting option.

Adding a back vent to a skirt is as easy as adding length and width to the center back seam. The length of the vent itself depends on how long the skirt is. For some context, my skirt is 27″ from my waist, and I made my vent about 8″ long. You don’t want a vent that comes up too close to your backside, but you also want a vent long enough to allow for your normal stride.

So, to the center back seam of my pattern I added a piece measuring 2″ wide by about 8″ tall.

I like to curve the top of the vent, to make serging the center back seam easier.

And that’s it for the pattern! The back skirt pieces are both cut the same.

To create the back vent, the back seam is sewn together from the bottom of the zipper to the edge of the vent. Here, my center back seams have been sewn together, and I’ve turned the skirt right sides out and placed it on my ironing board. I have turned under the serged edges of the vent, and I will sew those before sewing the vent together.

Once the edges of the vent are sewn:

Now the vent gets pressed in place. It doesn’t matter to what side the vent gets pressed, just use a hem gauge to make sure what you’re pressing is accurate. Remember that that vent is 2″ wide, and I just pressed under 1/4″, so now it’s 1 3/4″.

After the vent has been pressed, carefully pin it in place. Now, here’s the trick I learned in college: use a piece of tape as a sewing guide. Place it at the top of the vent, making sure that your sewing line will go through all the layers of both sides of the vent at the top. It’s also a good idea to go just beyond the center back seam and either backstitch or bartack this spot to make it as strong as possible.

Tape in place:

Sew alongside one side of the tape guide.

One thing you sometimes see on a back vent is a sewing line from the top of the vent to the hem, which keeps the top side of the vent in place. I opted not to do that on the orange striped skirt to keep distracting topstitching to a minimum. I also knew I would go back in and tack the vent down on the inside, which is a totally acceptable option. If you sew the vent along one side, it will look like this (I know the bright green thread is hard to see clearly):

Once the vent is sewn in place, hem the skirt. This particular skirt has a 2″ hem, which I hemmed using the blind hem stitch on my sewing machine.

Hem completed:

And that’s it!

There are other ways to add the vent to the lining, but this method is my favorite. It’s simple and straightforward. So, if your skirt is lined, follow the same steps to add a back vent to the lining.

Back vents are one of those things that may seem intimidating at first, but after doing it once it clicks. Then, you’ll feel like you can do them with your eyes closed!

Happy sewing!

how to: the striped skirt

There are a few things you can always count on me to make on a regular basis: full skirts, fit and flare dresses, pretty blouses, and anything striped. Stripes are so charming and fun to work with, and the striped garments I make are some of my most worn items. (Which reminds me, I need to source some pretty striped shirting fabric. Ah, the endless fabric hunt!)

I designed a skirt a few years ago when I was in business out of sheer necessity. I had long envisioned a pleated, flared skirt with even, balanced stripes, but it’s no easy task bringing that idea to life without getting a little creative. Now, to be clear, there are easier ways to make something similar to the skirt in this post. You can use a printed stripe fabric, cut a rectangle out of it, and pleat it into a waistband or bodice. In fact, that’s an easy project for beginners, so that might be a great place to start. For me, I wanted a designed skirt with built in flare so that it didn’t fall flat from the waist, which is exactly what just cutting a rectangle will do. I also wanted to call the shots in terms of skirt length, stripe width, and overall design. So I made my own stripes, and today I’m showing you how to do the same thing. And the beauty of this concept is that it can be applied to any garment. So, in addition to my design, I will also be showing you a Butterick pattern I adjusted to make a striped pencil skirt.

Let’s go over a few things before we get started on the pattern:

  • I used cotton sateen to make these skirts. Another good option would be poplin or lightweight twill. I also lined the skirt using the half circle skirt pattern.
  • There are side seam pockets in this skirt, but you can go with another pocket option or omit them entirely.
  • Because this skirt becomes quite wide with the addition of the pleats, it is cut on the crossgrain.
  • I made the pattern for this skirt using my skirt slopers, to which I added flare and the inverted box pleats. Then I adjusted the length and determined the width of the stripes. The same result can be achieved by starting with a half circle skirt, which is what we’re going to do today. For instructions on how to draft a half circle skirt pattern, see this post.
  • There is no tutorial for the waistband, zipper, pockets, lining or hem in this post. I’m assuming you know these things. The focus here is on making the pattern and sewing the stripes together. I’m also assuming basic pattern making concepts are understood (just in the interest of time here, folks), so if you have questions about the terms I use or any part of this process, please let me know. I’m happy to help! In the coming weeks, I will dedicate a post to basic pattern making concepts.
  • My skirt is 27″ from the waist with six stripes that measure 4.5″. I am 5’7″ so 27″ from the waist is a flattering midi length on me, but you may want to adjust the length to suit your height. The pleats are 6″ deep, and you may adjust these as well to be bigger or smaller or omit them altogether. If you don’t want the fullness of the pleats, you can always just separate the half circle skirt pattern into stripes and go from there.
  • When determining the length of the skirt and the width of the stripes, just keep proportion in mind. We don’t want stripes that are too narrow or too wide.
  • I lined my skirts using the half circle skirt pattern, not the pleated skirt pattern.

So, here’s the front half circle skirt pattern. Remember that this is cut on the fold which is why we’re only looking at half of it.

Because the half circle is already pretty flared, we can jump right into adding the pleats. This skirt has three inverted box pleats in the front and two in the back, along with a knife or “side” pleat on either side of the zipper in center back. 6″ has been added to create the pleats, so you only need to add 3″ at center front (because it’s cut on the fold), and 6″ for the second pleat. The placement for the second pleat is roughly halfway between center front and the side seam.

You can see the gray paper I added to center front for the first pleat and the line I’ve drawn to mark the placement for the second pleat.

Cut the pattern along the line, completely separating it. Then, add 6″ for the pleat.

On the gray paper we just added, mark down the middle at 3″. This is where the pleat will meet after we’ve folded it. Remember that center front is cut on the fold, so we’ve only added 3″ there instead of 6″. So when you fold your paper it will only be half of the pleat. For reference, here’s a visual from my pattern making book that illustrates inverted box pleats very well:

Here you can see that I’ve folded the pleats in place and trued the waistline. Cut off the excess paper. Determine the length of your skirt and cut off excess paper at the hem.

After the pleats are added and folded and the waistline trued, your pattern will look something like this.

Now, we need to determine the width of the stripes. Once you know how wide you want the stripes, measure from the waistline down that amount. There’s your top stripe! Then, measure down the same amount from the line we just drew to create the second stripe and so on.

I’m pointing to the first stripe here:

Once you’ve drawn all of your stripes, cut each one and add seam allowance. This part takes paper, lots of tape, and an upbeat playlist to help get you through it! When each stripe has been separated and seam allowance added, the skirt will look like this, and remember to label each piece along with whether it’s a color stripe or white or print or what have you.

 Repeat this process for the back skirt, putting the pleat roughly halfway between center back and the side seam. The original version of this skirt had a full box pleat at center back, but over time I decided it was a bit bulky, so now it’s just a knife pleat. You may add this or just have the one inverted box pleat in the back.

Cut the skirt on the crossgrain, and make sure to double notch at center back. This skirt is easy to make, but there are parts that are quite tedious, and cutting it out is definitely one of them. Remember that playlist I mentioned earlier? Yeah, you’ll want it again.

Navy stripes being cut:

White stripes being cut:

I like to line up my pieces in order and sew them together starting with the bottom piece. That way, when I get to the last stripe, it’s the shortest. I’m always happy to get to that last piece!

And here’s a trick to make sewing the front stripes together easier: start at center front instead of one side and sewing the length of the seam at once. I’ve found that starting at center front is much easier, and there’s never an issue lining the seams up. So, when you cut your front skirt stripes, notch at center front of each stripe piece so you can match it to the next stripe and so forth.

Here you can see the notches at center front I made when I cut out the front stripes. Starting from the top or bottom–wherever you want–match the stripe pieces at center front and sew together from center front to the side seam. Then, turn the pieces over and, starting at center front again, sew to the opposite side seam. This step isn’t necessary, it just makes things easier.

The next tip is important: serge the seams and press them as you go, not once the entire front or back piece is assembled. I press the seam allowances towards the color stripe, which goes against pressing rules, but I don’t like seeing the seam allowance through the white stripe.

Insert the pockets. 

Be careful to match the stripe when you sew the side seams, but the rest of the skirt construction is easy and just like any other skirt. Attach the waistband, insert the zipper, drop in the lining, hem. Then, you’re done!

Once you’ve got the concept down, have a ball applying it to whatever you want. Tops, jackets, accessories, you name it. I’ve always wanted a striped pencil skirt, and I had an idea for an orange one because I knew it would pair beautifully with a blouse I made a couple months ago. And it does!

I used Butterick 5466 to make this skirt. You can see the other version I made in this post.

I added about 4″ to the length of this skirt, as well as a back vent and I widened the waistband and lined the skirt in Bemberg rayon. Tutorial for adding the back vent and how to sew it coming next week!

You know I like my makes to be as versatile as possible. You may not think that an orange stripe pencil skirt can be translated into a lot of different looks–the ceiling of versatility isn’t quite as high with this one as it is the others–but there’s still a number of things you can do with it. Go cute and casual:

Or, dress it up. More about this top here.

Lately, I’ve been putting bias tape or ribbon along the waistline seam of my skirts. It serves no practical purpose, but it sure does look pretty. I love navy and gold together, so I used gold bias tape in this skirt:

And I used an orange floral print quilting cotton to make bias tape for the orange skirt:

If you’re at all intimidated by this skirt, don’t be. It’s not complicated or difficult, just a little time consuming and tedious. But the result is so worth it!

As always, let me know if you need clarification on anything in this post. Have a wonderful weekend, and send me pictures of your striped projects!

Happy Sewing!

getting to know me: 20 things

Recently on Instagram a little game of “tag, you’re it!” was going around, where the person being tagged was challenged to post 20 facts about themselves. I have really, really loved getting to know my friends in the online sewing community a little better (I had no idea my sew sister, Brittany, was a certified pharmacy tech!), but until today I hadn’t joined the fun. I’ve been tagged a number of times, but I thought it was a great idea to post these fun facts here on the blog instead. A lot of new readers (hey, y’all!) have found this little blog of mine in the past few weeks, so this is a great way for you to learn a little more about me.

#1. My favorite decade for fashion is the 1950s. I’m not a stickler for an authentic vintage look and I don’t like looking like I’m wearing a costume in my daily life (no gloves and old shoes for me, thanks), but full skirts and ladylike dresses will always be two of my favorite things. I’m also very interested in fashion from the 1940s. I got a great book, Fashion on the Ration, from Churchill’s War Room & Museum in London last year, and it’s one of the best books I’ve ever read. I love to read.

#2. I like being busy. I enjoy projects and tasks and doing things, so even when we’re just sitting on the couch at night watching TV, I’m usually doing something else at the same time like hand sewing or writing. I’m also a big multi-tasker. So, if I have 20 minutes to fill while something is in the oven, I will throw in a load of laundry or respond to an email. It’s hard for me to just sit around.

#3. I have a purple Schwinn hybrid bike that I ride 10-13 miles a day, five or six days a week. The hour I spend on that bike is, without question, a highlight of my day. I crave the solitude and the fresh air and the sunshine and the daily physical challenge of getting up the next hill. I love it.

#4. We have two Great Danes, Harrison and Olivia. We got both of them from rescue organizations here in Texas, and they are nothing short of magnificent.

#5. I had braces for four years.

#6. I am someone who needs a great deal of alone time. I’m also a homebody.

#7. I had skin cancer three years ago. I have a four inch scar at the base of my neck, which is why you rarely see me in low necklines. Or, when you do, I’m wearing a necklace. So that scar, coupled with the others on my back from additional biopsies, is the single biggest influence on what I wear and the projects I choose to make.

#8. My favorite food is Mexican. There are a ton of great restaurants in our neck of the woods (not surprising considering we live in Texas, after all), but I make it a lot at home too. A couple years ago, my brother recommended the America’s Test Kitchen Mexican Cookbook, and it has changed my life in terms of enjoying cooking and being semi-good at it. Every single recipe is fantastic, and now I actually look forward to making us yummy things to eat. I even make corn and flour tortillas from scratch using a cast iron tortilla press, a birthday present from my brother. (He’s an exceptionally great brother.) We eat a lot of tacos in this house, in addition to dishes like chilaquiles, pastel azteca, chicken adobo, enchiladas, tamales, and chicken tortilla soup.

#9. There aren’t any colors that I don’t like, but navy blue has my heart. I’m not sure what it is about navy, but I feel really, really good in that color. It’s so classic and flattering and pretty.

#10. I was born in North Carolina, and I have lived in five states: North Carolina, Iowa, Florida, Arizona, and Texas.

#11. I am older than my husband by one year and four months. We will celebrate 10 years of marriage in September. I think he’s pretty sensational.

#12. I like shoes, and my latest purchase is probably my favorite of all time. They’ll go with all my navy pieces and everything in between! I’m slowly getting rid of all the ridiculously high heels I have and replacing them with sensible flats, but I made an exception for these shoes. Now I want bumblebees on everything! (Side note: I waited for my size to go on sale. The regular price is a bit on the high side.)

#13. With the exception of a ginger ale every now and then, I never drink soda, and I always order water at restaurants.

#14. The easiest way to get me on the dance floor at a party is to play Michael Jackson. Anything by Bruno Mars usually does the trick too, but I’ll really lose my mind if “Rock Your Body” by Justin Timberlake comes on. (And it usually does because I request it.)

#15. I’m a coffee drinker. It’s a must have every morning, believe me.

#16. I love stripes. I designed a striped skirt a few years ago, and I’m going to show you how to make it in an upcoming tutorial.

#17. I have a Bachelor’s in Apparel Design and Product Development. When I was in college Facebook was just becoming a thing, so the idea of using your education online via a blog or tutorials wasn’t something any of us really thought about. And look where we are now. Wild.

#18. I am very organized and neat. I don’t mind clutter here and there, but my house is never dirty.

#19. A few of my favorite shows are Friends, The Office, The Closer, Burn Notice, and Better Call Saul. I’ve also watched The Crown on Netflix, which is utterly magnificent.

#20. I love hats. I probably have 20 at this point, but I always have a “need” for another one. This one (in navy, obviously) is on my wish list.

Have a great week! Lots of tutorials coming this month!

my dream dress: vogue 8789

For years, I searched and searched and searched for the perfect lemon print fabric. I know this may sound silly (really, Emily, a lemon print? and years?), but something that specific isn’t the easiest thing in the world to find. Don’t get me wrong, there are lots of options out there, but nothing stood out to me, and I wasn’t going to settle for something less than absolutely beautiful. Everything I came across was either a quilting cotton, poor quality, or featured the lemons on a black background. Nothing wrong with a black background, I just wanted something that looked a little more light and springy and a lot more me(Funny side note: I found an adorable lemon print fabric a couple years ago and used it for an apron design I had in my shop. I’ll post the pictures at the end of this post.)

It’s been so long since I first had the idea for a lemon print dress that I’m not entirely sure where it came from. For a couple of seasons, designers were doing interesting things with fruit prints, including lemons, so it could be that I saw something which sparked the creativity, or maybe I just had a dream about it. That’s definitely been known to happen. At any rate, I stumbled upon this fabric a few weeks ago, and all of my dreams for a lemon print fabric came true.

And it’s Fashion Fabrics Club for the win, again. I have a good laugh sometimes when I think about the fabrics I’ve found on that website over the years. I can go for ages without finding a thing and then, all of a sudden, find exactly what I’m looking for. As soon as my order arrived, I posted this fabric on Instagram and it sold out the next day. I’m sorry about that! It seems I wasn’t alone in wanting a fabric like this, and I wish there was more in stock for you to go buy. It’s a cotton/spandex heavyweight twill with a scattered lemon print, and I love it. I ordered 8 yards, because I wanted enough for two garments and a couple of aprons for me and my mom. Plus, I got it for $5.75/yd so it didn’t exactly break the bank.

Considering how long I waited for the right fabric to come along and my love for this vintage Vogue pattern, I wasn’t going to cut any corners in construction. I made two muslins for the bodice, and I’m glad I did. There were a few things that needed tweaking to get a nice fit: I shaped the front waist darts, took in about 1/2″ at the side seams under the arms grading to nothing at the waist, and pinched out fullness in the back.

I moved the side zipper to the back (personal preference), and cut the skirt in three sections instead  of four because I didn’t want a seam down center front. I also added side seam pockets. When I sew a muslin for a dress with a zipper in the back, I always cut the muslin bodice back on the fold, and pin myself into the bodice in the front. This makes it much easier for me to not only get in and out of the muslin, but I can get a more accurate read on how much fabric to pinch out of the back, which is a common thing for me to have to do.

The front view. I have only pinned on one half of the bodice so that you can see what the original looked like. I transferred these adjustments to my pattern, made another muslin to ensure everything fit correctly (it did), and then I cut my fabric.

I shaped the bodice facing pieces and drafted lining pieces to match. I also drafted a pattern to line the skirt.

I’m glad I invested the time into getting the fit right. Makes a big difference!

A peek at the inside, which you know is just as important to me as the outside. Vintage Vogue garment labels can be purchased on the Vogue patterns website.

The waistline stay, a nice (and practical!) detail.

The hem is 3″ deep, which I really like. I used the blind hem stitch on my machine to finish it.

Buttons at the shoulder. Because my fabric was on the heavy side and wouldn’t have worked for the loops, I used cotton poplin to make the button loops. Buttons are from JoAnn.

Inside of the front bodice.

I omitted the cummerbund simply because I wanted to save fabric and I’m much more likely to wear a thin belt with this dress, if I wear a belt at all.

This dress is everything I ever wanted and had envisioned for a lemon print dress, and it was worth the wait. It was also worth every second of fitting and adjustments and patternmaking and sewing and everything in between.

As for the pattern, I love it too. I have plans to make it again right away, in coral and navy blue. This is one of those silhouettes that looks good on just about everyone, so if you’re in the market for a ladylike dress I’d recommend starting with this pattern. Hard to go wrong.

And, finally, here’s the apron I designed a few years ago. What can I say, I love lemons!

Have a wonderful weekend!

how to: slanted pockets

I love pockets. I like having them in most of my garments for a lot of reasons, but I especially like them because they’re practical. For me, it’s worth the effort to include a pocket or two in most of my garments because I actually use them. Sometimes I slip my phone or my keys in my pockets if my hands are full, and there’s usually a lip gloss or chapstick hanging out in there too. Plus, isn’t there a “cool girl” vibe with pockets in womenswear? Guys get to stand around with their hands in their pockets looking all laid back and chill, why can’t we do the same thing?

There’s so many different types of pockets, so incorporating them into a project is not only easy, but it’s a fun challenge to think about what particular pocket would work best. Most of the pockets I make are hidden side seam pockets, but I really like patch pockets on shirtdresses and skirts and welt pockets on pants and tailored coats. I happen to really, really like slanted front pockets too, the subject of today’s post. Also called angled pockets or inserted seam pockets, this pocket is created by drawing a line from the waist to the side seam, which becomes the entry for the pocket. You see this type of pocket a lot on pants.

This is the slanted pocket on my linen pants, which you’ll see in more detail as soon as I finish a blouse to wear with them. Pattern is Vogue 8836, out-of-print.

I like this pocket design on unlined skirts because it’s a much cleaner look on the inside. With summer fast approaching (it was 90 degrees the other day, so maybe it’s already summer here?), I’m thinking about all the things on my list to make to stay comfortable this summer. Loose fitting and lightweight tops, linen everything, and unlined skirts are a few things I’m focused on right now. When I finally found the lemon print fabric of my dreams a few weeks ago, I bought enough for a couple of garments knowing one of them was going to be an unlined skirt. I will get so much use out of this skirt.

I wanted something relatively simple in design, but with a little flare and personality, so I went with Butterick 6129 again, after a successful first try with it back in January. Only this time, the pockets would be different. I made a quick change to the pattern for slanted front pockets, and just like that, I have a new summer skirt. (Definitely making this one in a couple more colors!)

The first version of this skirt, which will make my top ten list of projects for 2017, for sure.

So, to draft slanted front pockets, it’s as easy as drawing a line from the waistline to the side seam. You don’t want to come too far in on the waistline, and be careful to draw a line down to a point on the side seam that is neither too small nor too long. You want an opening that can accommodate your hand.

This is the front skirt pattern piece, before any changes. I came in from the waistline 1.5″, and drew a line approximately 8″ long, down to the side seam. (This is covered by the tape now, because I got ahead of myself and cut it off before taking a picture. Silly me.)

Then, draw the outline for your pocket. You couldn’t see my outline in the photo, so the blue line indicates where it is. My outline includes seam allowance of 1/4″.

Trace the outline you just drew, along with the waistline and side seams. This becomes the pocket itself, or entry/pocket pouch.

Then, the corner piece that was created when the entry point line was drafted gets cut off. Before doing this, add seam allowance. I always add 1/4″, because anything more will just get trimmed off.

Trace again for the pocket lining/backing piece.

This next step is important, especially if your skirt has design elements like pleats or gathers. In my case, there are four front pleats, so I folded them and taped them in place. Then, place your pocket pieces on top, matching at the side seams and adjust the waistline if necessary. This is called truing your pattern, and I needed to add about 1/8″ to my pocket pieces. It may not seam like much, but we always want matching pattern pieces so that nothing pulls or hangs in a weird way.

I always do this with the waistline facing me, which is why it may seem like this is upside down.

The arrow points to the small adjustment I made to the pocket so that it matched the waistline seam with the pleats folded.

With the pocket pieces taped in place, draw the grainline by marking a line parallel to center front.

Once the pieces are cut out, sew the lining pocket pieces to the skirt front.

Then, press the pocket lining away from the skirt. Then, fold it under the skirt, press, and topstitch.

Topstitched:

Now the pocket gets sewn to the pocket lining. Sew all the way around, then serge. You can also pink or use bias binding if you don’t have a serger. Or, if you’re feeling extra couture-y, cut these with a bigger seam allowance and sew the pockets together with a French seam. Press.

Sewn and serged:

Next, baste the pocket to the side seam

Then, serge the side seams of your skirt.

Sew the side seams and press open.

Finish the skirt as you normally would. The finished pocket will look like this:

Because this skirt isn’t lined, I used a little bias tape along the edge of the waistband lining. It’s certainly not necessary and it doesn’t serve any purpose, but it’s a nice detail that finishes that edge nicely. I sewed it to the waistband lining along the seam allowance and then hand sewed it along the waistline seam.

I’ve made quite a few skirts with slanted front pockets, and I’m excited to make a couple more for summer. I think a denim version is a must, as is a great basic like khaki or white. These three skirts are my own design, the ‘Louisa’ skirt.