Until a few weeks ago, my Instagram profile had a line in it about “building a handmade wardrobe.” A quick browse of other like-minded sewing and design accounts will say the same thing, and I love that there’s folks out there who are investing their time, money, and skills towards such a admirable goal. Some people approach it from a sustainability perspective, making a conscious choice not to buy fast fashion, instead investing in a few natural textiles to build a capsule collection of clothes. Other folks are tired of the endless frustration of never finding well fitting or well made things in stores and are inspired to take matters into their own hands. There are a lot of reasons to sew your own clothes, and I just love connecting with fellow sewers and watching them create a handmade wardrobe.
The thing is, I’m not necessarily interested in sewing an entire wardrobe from scratch. I have exactly zero interest in making undergarments, and the chances of me ever making a pair of jeans are slim – my Levi’s suit me just fine for the three or four months a year it’s actually cool enough to wear them. No camis or tank tops for me, thanks. T-shirts, swimsuits, workout gear? Nope, nope, and nope.
For as much as I believe in creating a wardrobe full of special pieces and handmade, unique items that no one else has, I also recognize that there’s plenty of things sold in stores that are done really, really well and there’s no need for me to try and do any better. There are more than enough great fitting tees to choose from, and I promise the perfect pair of jeans is out there too. So, as much as I love adding handmade piece to my closet every week, I will never have an entirely handmade wardrobe, and I’m okay with that.
All of this to say that the dress in today’s post came about not because I was inspired by the pattern itself (although now having made it, I can say that it’s utterly fantastic) or by the fabric, but by a store bought dress I have in my closet. It’s a rayon knit wrap dress I got from Hobbs in London last year, and it is wonderful. It’s one of those pieces you can just throw on and walk out the door, and it’s comfortable all day long. Every time I put it on I think, “Huh, I really need to copy this dress. I could use about a dozen versions of it.” So I finally did a little digging in my pattern stash earlier this summer when I was planning new projects, and decided it was time to give Vogue 8379 a shot. It was the closest thing I could find to the Hobbs dress.
This pattern has been out for quite some time, and it’s been made umpteen times by just about everyone – and for good reason. Of all the patterns I’ve used recently, this one stands out for its excellent fit right out of the envelope and for how easily it came together. My fabric is a cotton stretch I found at Fashion Fabrics Club earlier this year (I believe it’s sold out now), and I like it for the colors and print, and also because it’s not polyester. I work with poly every once in a blue moon, but I do try to avoid it whenever possible. It’s just not my favorite. This cotton jersey has nice stretch and recovery, and it was pretty easy to work with. Knits aren’t my go-to fabrics, but it was a nice change of pace to make a knit dress after so many projects with woven fabrics.
I made only very minor adjustments to the pattern. I added 2″ to the hem of the skirt, and I left off the cuff in view B. Because I left the cuff off, I added about an 1.5″ to the length of the sleeve to keep it a true 3/4 sleeve length. I also angled the ends of the ties, simply because I like the way that looks.
No swayback adjustment, no length to the bodice, no neckline adjustment, and I cut the same size in this dress that I cut in every other Vogue pattern – it runs true to size.
This fabric is a lightweight stretch fabric, so I used a size 75 stretch needle, regular thread, and stretch interfacing on the facings (this Pellon interfacing is great for stretch garments). I put my sewing machine in “stretch light” mode, so it automatically sews a knit stitch. If your fabric is especially unwieldy or you need extra stability in the hem, you can always interface that as well.
You don’t necessarily have to finish the edges of knit garments because they won’t unravel like wovens, but I still serge all the edges and understitch where appropriate.
Here you can see the ends of the ties that I cut at an angle and a peek of the hem of the sleeve. I used a blind hem to finish the hems of the sleeves and the skirt. I don’t have a cover stitch machine, and I don’t always like a visible line of stitching along the hem–especially on a print dress–which is why I went with a blind hem. I love a nice, clean finish.
The skirt hem.
Pleats at the waistline.
This is a true wrap dress, so there’s an opening in the left side seam for the tie to feed through and wrap around you.
This is one of those classic dresses that you can make in a lot of different colors and prints, and I will definitely be making this one again and again. I’ve started a royal blue version, and I’m excited to finish it as soon as we’re settled in the new house.
Speaking of the new house, packing is coming along, and we’ll be moving in a few days. Ty and I have moved quite a lot in the past ten years, but this is the first time we’re moving into our own home, so we’re especially excited. I can’t wait to get in the house and show you my new studio space and share our big remodel plans for the kitchen. In the meantime, the packing continues!
Thank you for the kind words and best wishes for this adventure!
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