A few weeks ago I set a lofty goal to make quite a few new pieces for summer. With it hovering around 100 degrees here almost daily now, I’m in desperate need of clothes to help me survive the heat. So, long gone are the projects with full linings and zippers and sleeves. In their place are all the things I not only love to make but will also get a lot of use out of this season (hello, linen and floaty dresses and swishy blouses and wide leg pants!). The two dresses in today’s post are certainly on that list.
I have a standing date with my pattern stash every couple of weeks, where I look for inspiration or pull a pattern that has been patiently waiting for its turn to be whipped into something pretty. I can’t remember when I bought Vogue 9182, but I think I’ve had it for quite some time and I stood out to me during a recent dig through the stash. I’d been hesitant to use it because it exposes a little more skin than I’m used to and for a long, long time I was averse to anything sleeveless. Well, I’ve finally kicked the “I can’t wear sleeveless things” silliness, and to get a little more skin coverage I simply raised the back pattern so it covers my back completely.
The red gingham is from Fabric.com, and the creamy white linen is from Textile Fabrics in Nashville. It’s a Ralph Lauren linen suiting, so it’s quite substantial and weighty. I have enough of it left to make an embroidered jacket later this summer. Excited about that.
I initially wanted to make the red gingham version to take to Nashville last month, but time got the best of me before I could finish it. As soon as I got home, I not only finished it but turned around and made a second version because I liked it so much. (And I got the perfect fabric for it in Nashville, so the stars aligned.) Maybe it’s the buttons or maybe the full skirt (maybe both?), but this dress is just dreamy to me. I love it.
I only made a few adjustments to the pattern for the red gingham dress: a swayback adjustment and I raised the back pattern pieces for full back coverage. I also combined the back and side back pieces so that the back bodice piece could be one single piece. Because I was short on time I skipped making a muslin which, as you well know, is not something I normally ever skip. I knew, based on the finished garment measurements, that the dress would fit nicely and any small adjustments could be made later. I was happy with the fit of the red gingham dress, but for the white linen version I raised the side seams for more coverage under the arms and shaped the front princess seams for a more flattering fit.
This is what the back pattern pieces look like after the adjustments were made. And, again, I would usually trace my tissue pattern pieces on paper and make adjustments from there (to avoid messing with the tissue), but time was not on my side.
And here’s how the back looks on me. I have the coverage I need, and it’s nice and smooth because of the swayback adjustment. You can also see the difference raising the side seams under the arms made to the white dress. I raised the side seams by 1 1/2″, and I think the additional coverage is a little more flattering.
And the front pieces:
The skirt for this pattern is a full circle, and I went with the longer length in view B, which is 31 1/2″ from the waist. Both skirts needed to be leveled (more info on that here).
Matching the pattern on the gingham dress was a task that made me go a little cross-eyed, but I’m happy with the end result. I told myself I wouldn’t be using any gingham or stripes or plaid for a while after this, but what did I do but turn around and start working on a madras plaid shirtdress. I’m a glutton for punishment, I guess.
I keep referring to this as “white” linen, but it’s really more of a creamy vanilla or eggshell white. I like that because it will transition to fall nicely, especially once I make the matching jacket to go with it. I love linen so very much, and this fabric was a dream to work with. I’ll have to get video of this dress in motion eventually, because the way it moves it just stunning. And tons of fun to wear.
I included a waist stay on both dresses, which snaps together underneath the button extension. It does its job beautifully, because there’s no pulling around the waist where the dress is buttoned. That can happen sometimes with shirtdresses or any kind of dress that buttons closed even if it’s the right size, but the waist stay eliminates that.
Anytime there’s a facing in a garment that isn’t attached to a lining, I like to not only serge it but turn it under and edgestitch it too. It hides the serged seam nicely, and makes the garment look a little more professional and high end.
If you’re looking for a summer dress but your version of a sundress is more like mine (I need a wee bit more coverage), I recommend this pattern. I really love making buttonholes and sewing buttons. It’s a refreshing change of pace sometimes, even though my machine really does all the work for the buttonholes.
I think both of these dresses will serve me well this summer and beyond. The white linen dress is a little more dressy, so it might become my summertime date night dress. And you know I love gingham, so the red number will be worn a lot. Sometimes I know when it’s time to walk away from a particular print or color for a while, but I think my heart is set on one or two more gingham things. Probably a blouse and a skirt. Then I’m done, I promise. Almost for sure.
Have a wonderful weekend, and I’ll be back next week with more summer projects and a new “how to” post. Lots of fun things coming up!
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