Don’t ever let anyone tell you sewing is a mindless craft. Those of us who endeavor to create and make know better. The mental acrobatics required to properly execute the tedious and challenging projects is one of the things that keeps me engaged and inspired to continue sewing. Because to settle for the easy projects all the time does nothing for growth and learning, and why bother if you’re not doing much of value or quality. This dress is one of those garments that required a little extra determination and planning and, just like every other project like it that has tested my patience, it was more than worth the time and effort. (Expect a few of those “easy” projects in the future, just to balance things out!)
A few weeks ago I mentioned that Ty and I were headed to Florida this month, and I was excited to make most of my clothes for our little weekend getaway. On Wednesday, I’ll tell you how successful I was in bringing my ideas to life, but today I’m thrilled to show you the cocktail dress I made for the awards reception. It came together beautifully, I felt like a million bucks in it, and I was comfortable all night (the ultimate trifecta!). I lost track of all the sweet compliments I received on this dress, which was just icing on the cake for me. (I think a lot of the compliments had to do with the fabric. It’s just so stunning!)
For more details about how I decided on the design and the sewing techniques I used on this dress, see the progress report from a few weeks ago.
The bodice is my own design I drafted using my slopers, to which I attached the skirt from Butterick 6129 (see the other skirt from that pattern here). The skirt on my cocktail dress is about 2.5″ shorter than the white damask skirt from January, and I like it a little better. I used the wrong side of the fabric on the hem band again, because it adds a lot of visual interest to the skirt and it’s a fun way to showcase both sides of the brocade.
There is 6″ wide horsehair braid in the hem facing, and I closed the hem band with a catchstitch. I did this for a couple of reasons: there is flexibility in a catchstitch that allows for movement while still being strong, plus I think it’s pretty. The skirt/hem band seam allowance is serged and pressed up towards the skirt to keep the hem facing from getting too bulky. Normally I would press all the seam allowances down into the hem facing and close it all up, concealing all of the seams.
I used Bemberg rayon to line the bodice and pink cotton to line the skirt. I wanted a more substantial lining for the skirt, which is why I went with cotton there. (Cutting and sewing rayon lining for the bodice was about all I could handle with that material for a while. It’s not a fabric I enjoy working with at all, I must tell you.) I sewed coral grosgrain ribbon around the waist of the lining, because it bugs me when the bodice and skirt linings are different colors. The ribbon makes it all look intentional.
And here we are at the awards reception. (The wind was so terrible that night, which made it impossible to get a good picture of the dress!)
I’m so proud of Ty and all of his hard work. He is the ultimate professional, and I’m so delighted his achievements were recognized. We had a wonderful time!
I made my own patterns for a long time. I drafted and tweaked and tested…
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